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Theory of Music, Practical Musicianship
or Solo Jazz Subject: Grade 5 must have been passed.
THREE PIECES: one chosen by the candidate
from each of the three Lists, A, B and C:
LIST A
- Elgar Idylle, Op.4 no.
1, trans. Wilson
(Bass/treble clef edition: Winwood Music)
- Elgar Salut d'Amour, Op.12,
trans. Childs.
Monti's Czardas, ed. Wilson (Treble clef edition: Winwood Music)
- Faure Vocalise, arr. Green
(Bass/treble clef edition: Warwick Music)
- Handel Prelude and
Fugue, arr. Sturzenegger for Euphonium
(Treble clef edition: Marc Reift/MusT)
- Michael Hopkinson Concerto for Tuba
(Concerto Euphonique): 1st movt, Allegro moderato
(B flat edition: Kirklees Music)
- Mozart Concerto in 2 Movements,
K.412, arr. Lethbridge for Euphonium or Baritone
(Bass/treble clef edition: Brand Publications/Smith)
- Ernest Young Euphonium Suite:
1st and 2nd movts, Allegro Giocoso and Romanza:
Lento, or 2nd and 3rd movts, Romanza: Lento
and Scherzando
(Bass/treble clef edition: Brand Publications/Smith)
LIST B
- James Curnow Rhapsody for Euphonium
(Bass/treble clef edition: Winwood Music)
- Joseph Horovitz Euphonium Concerto:
2nd movt, Lento
(Treble clef edition: Novello/Music Sales)
- Rodney Newton Baritone Aria
(Bass/treble clef edition: Editions Marc Reift/MusT)
- Philip Sparke Aubade
(Treble clef edition: Studio Music)
- David Uber Danza Espagnola
(Bass/treble clef edition: Virgo)
- Vaughan Williams Concerto for Tuba:
2nd movt, Romanza
(separate treble clef euphonium part, and piano score with bass
clef part: O.U.P.)
LIST C
- Dubois 14 Studies for Trombone:
no.13
(Bass clef edition: Leduc/U.M.P.)
- Gaetke 60 Studies for
Trombone: nos.52 and 53
(Bass clef edition: IMC 1456) (restricted availability)
- Alwyn Green Euphonium Eurhythmics:
Study no.11, p.36
(Bass or treble clef editions: Warwick Music)
- Mark Nightingale Barking Mad: no.8
from 'Tipping the Scales'
(Bass or treble clef editions: Warwick Music)
- Reinhardt Selection of
Concone Studies for Trombone: no.12
(Bass clef edition: Elkan-Vogel/U.M.P.)
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SCALES AND ARPEGGIOS: from memory, to be played slurred, legato-tongued and
staccato in the following keys:
Bass clef: B flat, B, C, D flat, D, E flat majors; B flat, B, C, C sharp, D, E
flat minors (a twelfth)
All other keys, major and minor (two octaves)
Treble Clef: C, D flat, D, E flat, E, F majors; C, C sharp, D,
E flat, E, F minors (a twelfth)
All other keys, major and minor (two octaves)
Scales: in the above keys (minors
in both melodic and harmonic forms)
Chromatic Scales: Bass clef: starting on any note E-A (two octaves)
Treble clef: starting on any note F sharp - B (two octaves)
Arpeggios: the common chords of the above keys for the ranges
indicated
Dominant Sevenths: Bass clef: in the keys of B flat, B and D flat
(two octaves)
Treble clef: in the keys of C, D flat and E flat (two octaves)
Diminished Sevenths Bass clef: starting on F sharp and G (two octaves)
Treble clef: starting on A flat and A (two octaves).
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