英國皇家音樂學院聯合委員會

2007/2008年管風琴第七級考試內容與規則

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Scales and Arpeggios (Published by the Board): from memory:

MANUAL SCALES: legato or staccato, as directed by the examiner:

(i) in similar motion with hands together one octave apart, in all keys, major and minor, both melodic and harmonic (two octaves)

(ii) in contrary motion, hands beginning and ending on the key-note (unison), in the keys of D, E flat and D flat majors (two octaves)

CHROMATIC SCALES: legato or staccato, as directed by the examiner:

(i) in similar motion with hands together one octave apart, beginning on any note named by the examiner (two octaves)

(ii) in contrary motion with hands beginning and ending on the same note (unison), starting on C and on C sharp (two octaves)

MANUAL ARPEGGIOS: legato only, with hands together one octave apart:

(i) the major and minor common chords, in root position only, in all keys (two octaves)

(ii) diminished seventh chords, beginning on B, C and C sharp (two octaves)

PEDAL EXERCISE (not required to be played from memory) at the choice of the examiner, either

(i) first pedal solo, bars 55-82, from Bach's Toccata in F, BWV 540 or

(ii) pedal part of the 12/8 variation from Mendelssohn's Sonata in D minor, Op.65 no.6.

報考資格：須通過第五級以上樂理或實用音樂素養

三首考曲: 由下列A,B,C,三組中各選一首(選錯曲可能不計分)

A 組

  1. J. S. Bach Chorale Prelude ‘Ach bleib bei uns, Herr Jesu Christ’, BWV 649
    (Barenreiter 1; Novello 16; Peters 6)
  2. J. S. Bach Chorale Prelude ‘Nun komm’, der Heiden Heiland’, BWV 661
    (Barenreiter 2; Novello 17; Peters 7)
  3. J. S. Bach Prelude only, from Prelude and Fugue in F minor, BWV 534
    (Barenreiter 5; Novello 6; Peters 2)
  4. J. S. Bach Trio Sonata no.2 in C minor, BWV 526: 2nd movt, Largo
    (Barenreiter 7; Novello 4; Peters 1)
  5. W. F. Bach Fugue no.1 in G minor, from '3 Fugues'
    W. F. Bach Organ Works, Vol.2 (Peters P-8010b)
  6. G. Böhm Chorale Prelude ‘Vater unser im Himmelreich’.
    No.5 from Faber Early Organ Series, Vol.12 (Faber)
  7. J. L. Krebs Trio in C or Trio in C minor. No.22 or no.24 from Krebs Complete Organ Works, Vol.2
    (Breitkopf & Hartel 8413)
  8. Telemann Fantasia in F.
    No.4 from Telemann 7 Fantasias, arr. Schweizer (Barenreiter EM 1806)

B 組

  1. Bridge Adagio in E: no.2 from ‘3 Pieces for Organ’
    (Novello/Music Sales)
  2. Ireland Menuetto-Impromptu.
    No.3 from Organ Music of John Ireland (Novello/Music Sales)
  3. Jongen Cantabile, Op.37 no.1
    (Durand/U.M.P.)
  4. Mendelssohn Prelude in C minor.
    No.9 from Mendelssohn Complete Organ Works, Vol.1 (Novello/Music Sales)
  5. Reger Praludium only, from Praludium and Fugue in G: no.3 from ' Easy Preludes and Fugues' Op.56, Vol.2
    (Universal 1377/M.D.S.)
  6. Rheinberger Agitato: no.5 from '2 Miscellanies' Op.174
    (Amadeus BP 2316-Schott/M.D.S.)
  7. L. Vierne Allegretto, Op.1
    (Leduc/U.M.P.)

C 組

  1. Edgar Arro Contrasts nos.4 and 5, from ‘5 Contrasts’
    20th Century Organ Music from Russia and East Europe (Peters P-5750)
  2. Hindemith Sonata no.2 for Organ: 1st movt
    Lebhaft (Schott 2558/M.D.S.)
  3. Martinu, completed by Bedrich Janacek Vigilia
    (Eschig/U.M.P.)
  4. William Mathias Recessional, Op.96 no.4.
    A Mathias Organ Album (O.U.P.)
  5. Lionel Rogg Hommage a Messiaen
    (Lemoine/U.M.P.)
  6. Roussel Fughetta only, from Prelude et Fughetta, Op.41
    (Durand/U.M.P.)
  7. Michael Tippett Preludio al Vespro di Monteverdi
    (Schott 11209/M.D.S.)
  8. Walton Popular Song (from ‘Facade’), arr. Gower.
    A Walton Organ Album (O.U.P.)

Playing at Sight: See General Regulations for Organ.

Transposing at Sight: a simple tune in four-part harmony (manuals only) a tone higher or lower, as directed by the examiner, without first playing it through in the original key.

Blind candidates will be given a combined memory and transposition test in place of the two tests above. A copy in Braille of a simple hymn tune will be given to the candidate 10 minutes before the examination. The candidate will then be asked to play it on manuals only at the beginning of the examination, first in the original key, and then a tone or semitone higher or lower as directed by the examiner.

聽力測驗:

請參閱聽力測驗第七級

 

 

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