英國皇家音樂學院聯合委員會

2007/2008年管風琴第八級考試內容與規則

 

此網頁內容僅供參考, 正式內容請見原文考試內容摘要(syllabus)

 

Scales and Arpeggios (Published by the Board): from memory:

MANUAL SCALES: legato or staccato, as directed by the examiner:

(i) in similar motion with hands together one octave apart, in all keys, major and minor, both melodic and harmonic (two octaves)

(ii) in contrary motion, hands beginning and ending on the key-note (unison), in the keys of C, D, E, F, E flat and D flat majors (two octaves)

CHROMATIC SCALES: legato or staccato, as directed by the examiner:

(i) in similar motion with hands together one octave apart, beginning on any note named by the examiner (two octaves)

(ii) in contrary motion with hands beginning and ending on the same note (unison), starting on C and on C sharp (two octaves)

MANUAL ARPEGGIOS: legato only, with hands together one octave apart:

(i) the major and minor common chords, in root position only, in all keys (two octaves)

(ii) chords of the dominant seventh, in root position only, in all keys (two octaves)

PEDAL EXERCISE (not required to be played from memory) at the choice of the examiner, either

(i) pedal solo, bars 13-32, from Bach's Toccata, Adagio and Fugue in C, BWV 564, or

(ii) pedal solo, bars 1-29, from Franck's Final in B flat, Op.21

報考資格:須通過第五級以上樂理或實用音樂素養

三首考曲: 由下列A,B,C,三組中各選一首(選錯曲可能不計分)

A

  1. J. S. Bach Chorale Prelude ‘Valet will ich dir geben’, BWV 736
    (Barenreiter 3; Novello 19; Peters 7)
  2. J. S. Bach Concerto in A minor (after Vivaldi), BWV 593: 1st movt, (Allegro)
    (Barenreiter 8; Novello 11; Peters 8)
  3. J. S. Bach Fugue in B minor on a theme by Corelli, BWV 579 (Barenreiter 6; Novello 3; Peters 4)
  4. J. S. Bach Trio Sonata no.6 in G, BWV 530: 1st movt, (Vivace)
    (Barenreiter 7; Novello 5; Peters 1)
  5. G. Böhm Praeludium in D minor.
    No.2 from Böhm Complete Organ Works (Breitkopf & Hartel 8087)
  6. Buxtehude Praeludium in C (with Fuga and Ciacona), BuxWV 137.
    No.1 from Buxtehude Complete Free Organ Works, Vol.1 (Barenreiter 8221)
  7. Buxtehude Toccata in F, BuxWV 157.
    No.21 from Buxtehude Complete Free Organ Works, Vol.2 (Barenreiter 8222)
  8. Lubeck Praeambulum in E.
    No.4 from Lubeck Complete Organ Works (Breitkopf & Hartel 6673)

B

  1. Boellmann Suite Gothique, Op.25: 4th movt
    Toccata (U.M.P.)
  2. Brahms Chorale Prelude ‘O Gott, du frommer Gott’: no.7 from ‘11 Chorale Preludes’, Op.122
    (Peters P-6333ab)
  3. Elgar Sonata in G, Op.28: 3rd movt Andante espressivo
    (Breitkopf & Hartel 3404)
  4. Guilmant Marche sur un theme de Handel Op.15 no.2
    (Schott 11311/M.D.S.)
  5. Howells Psalm-Prelude no.1 (Psalm 34: Lo! the poor crieth), from ‘Psalm Preludes’, Op.32, Set 1
    (Novello/Music Sales)
  6. Mendelssohn Sonata in B flat, Op.65 no.4: 3rd movt, Allegretto.
    Mendelssohn Complete Organ Works, Vol.4 (Novello/Music Sales)
  7. Reger Passacaglia only, from Introduction and Passacaglia in D minor
    (Breitkopf & Hartel 2198)
  8. Saint-Saëns Fantaisie in E flat: Allegro di molto e con fuoco section only
    (Billaudot/U.M.P.)

C

  1. L. Berkeley Impromptu for Organ
    (Chester/Music Sales)
  2. M. Dupré Fugue only, from Prelude and Fugue in G minor: no.3 from '3 Preludes and Fugues', Op.7
    (Leduc/U.M.P.)
  3. Duruflé Fugue sur le Carillon de la Cathédrale de Soissons, Op.12
    (Europart-Music/U.M.P.)
  4. Jean Francaix Messe de Mariage: 6th and 7th movts, Formation du Cortege and Sortie
    (Schott 7694/M.D.S.)
  5. Jean Langlais Mors et Resurrectio (no.2 of ‘3 Paraphrases Grégoriennes’)
    (Combre/U.M.P.)
  6. Flor Peeters Herr Jesus hat ein Gartchen: no.10 from ‘10 Organ Chorales’, Op.39
    (Schott 2553/M.D.S.)
  7. Einar Traerup Sark Toccata Primi Toni, Op.11
    (Hansen/Music Sales)
  8. Whitlock Toccata, from ‘Plymouth Suite’
    (O.U.P.)

Playing at Sight: See General Regulations for Organ.

Transposing at Sight: a simple piece in four-part harmony (manuals and pedals) a tone or semitone higher or lower, as directed by the examiner, without first playing it through in the original key.

Blind candidates will be given a combined memory and transposition test in place of the two tests above. A copy in Braille of a simple hymn tune will be given to the candidate 10 minutes before the examination. The candidate will then be asked to play it on manuals only at the beginning of the examination, first in the original key, and then a tone or semitone higher or lower as directed by the examiner

聽力測驗:

請參閱聽力測驗第八級

 

 

回首頁 | 皇家簡介 | 考試事項 | 新消息 | 皇家出版品 | 各國皇家代辦處 |文摘目錄

英國皇家音樂學院聯合委員會台灣辦事處
台北市博愛路36號五樓
電話: (02)2375-1768 / (02)2375-1730 傳真: (02)2375-1814
E-mail: abtaiwan@ms23.hinet.net
www.abrsm.com.tw