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Theory of Music, Practical Musicianship
or Solo Jazz Subject: Grade 5 must have been passed.
THREE PIECES: one chosen by the candidate
from each of the three Lists, A, B and C:
LIST A
- J.S. Bach Cello Suite no.1 : 5th, 6th and 7th movts, Menuetto 1
and 2, and Gigue.
Bach Cello Suites, arr. Lafosse for Trombone (Bass clef edition:
Leduc/U.M.P.)
- Bizet Flower Song (from 'Carmen').
Softly, As I Leave You, ed. Wilson (Treble clef edition: Winwood
Music)
- Elgar Romance, Op.62, trans. Wilson
(Treble clef edition: Winwood Music)
- B. Marcello Sonata no.1 in F:
complete
(Bass clef edition arr. Ostrander: IMC 1978/M.D.S. or treble
clef edition arr. Mortimer: Editions Marc Reift/MusT)
- Weber Rondo Giocoso (from
Bassoon Concerto in F), arr. Siebert
(Treble clef edition: Studio Music)
- Ernest Young Euphonium Sonata:
1st and 3rd movts, Pentalude and Scherzando
(Bass/treble clef edition: Brand Publications/Smith)
LIST B
- Arthur Butterworth Partita for Euphonium, Op.89; complete
(Bass/treble clef edition: Comus Edition)
- Walter Hartley Sonata Euphonica
(1979): complete
(Bass/treble clef edition: Tenuto Publications/U.M.P.)
- Joseph Horovitz Euphonium Concerto:
1st or 3rd movt, Moderato or Con moto
(Treble clef edition: Novello/Music Sales)
- Monti Czardas, trans. Wilson
(Treble clef edition: Winwood Music)
- Philip Sparke Fantasy
(Treble clef edition: Brand Publications/Smith)
- Philip Sparke Rhapsody for B flat
Baritone
(Treble clef edition: Studio Music)
LIST C
- Marcel Bitsch 15 Rhythmical Studies for Trombone: no.3 or no.7
(Bass clef edition: Leduc/U.M.P.)
- Alwyn Green Euphonium
Eurhythmics: Study no.12, p.37
(Bass or treble clef editions: Warwick Music)
- Mark Nightingale The Flat Finisher
and You Made It!: nos.11 and 12 from 'Tipping the
Scales'
(Bass or treble clef editions: Warwick Music)
- Reinhardt Selection of
Concone Studies for Trombone: no.14
(Bass clef edition: Elkan-Vogel/U.M.P.)
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SCALES AND ARPEGGIOS: from memory, to be played slurred, legato-tongued and
staccato in the following keys:
Bass clef: B, C, D flat, D, E flat majors; B, C, C sharp, D, E flat minors (a twelfth)
All other keys, major and minor (two octaves)
Treble Clef: D flat, D, E flat, E, F majors; C sharp, D, E
flat, E, F minors (a twelfth)
All other keys, major and minor (two octaves)
Scales: in the above keys (minors
in both melodic and harmonic forms)
Chromatic Scales Bass clef: starting on any note E-B flat (two
octaves)
Treble clef: starting on any note F sharp-C (two octaves)
Whole-Tone Scales Bass clef starting on B and C (two octaves)
Treble clef: starting on B and C (two octaves). Both as example given
below
Arpeggios: the common chords of the above keys for the ranges
indicated.
Dominant Sevenths: Bass clef: in the keys of A, B flat, B, C, D flat,
D and E flat (two octaves)
Treble clef: in the keys of B, C, D flat, D, E flat, E and F (two
octaves)
Diminished Sevenths Bass clef:starting on F sharp, G and A flat (two
octaves)
Treble clef: starting on A flat, A and B flat (two octaves)
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