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三首考曲: 由下列A,B,C,三組中各選一首(選錯曲可能不計分)
A 組
- Dunhill Andante
con moto: no.1 from ‘Cornucopia’, Op.95
(Boosey & Hawkes/M.D.S.)
- Faure Pie Jesu (from Requiem, Op.48)
(Fentone/De Haske)
- Gounod Six Pieces melodiques
originales, Vol. 1: no.2
(Billaudot/U.M.P.)
- Mozart Horn Concerto no.3
in E b , K.447: 2nd movt, Romance: Larghetto
(E b /F edition: Barenreiter BA 5312a)
- Saint-Saens Romance in F, Op.36.
Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow (Associated
Board)
- Skryabin Romance
(Billaudot/U.M.P.)
- Franz Strauss Concerto in C minor,
Op.8: Andante section
(Schirmer/Music Sales or Universal 1369/M.D.S.)
B 組
- Richard Bissill March of the Gimps.
No.12 from Going Solo – Horn, arr. Bissill and Campbell (Faber)
- Gary Carpenter Arioso for Albert.
Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow (Associated
Board)
- Michael Horvit Circus Suite: 2nd
movt, Lions and Tigers
(Southern Music Co./Valentine Music)
- John Lennon and Paul
McCartney Penny Lane.
The Beatles for Horn in F, arr. Mortimer (Editions Marc Reift/MusT)
- Jim Parker Ground Force or
The Midsomer Murders.
The Music of Jim Parker for Horn in F (Brass Wind)
- Stephen Sondheim
Send in the Clowns.
A Little Light Music for French Horn, arr. Iveson (Brass Wind)
- Guy Woolfenden War Dance or Moonlight Rumba, from ‘Horn Dances’
(Brass Wind)
C 組
- Deborah Calland The Distant Horizon,
from ‘Top Brass’
(Stainer & Bell)
- Concone Study no.18 (Op.17
no.15).
Concone Studies for Horn in F, arr. Ashworth (Emerson)
- Kopprasch 60 Selected Studies
for French Horn, Book 1: no.8 in C
(Carl Fischer CFO 2790/M.D.S.)
- Peter Lawrance Syncopated Dance
or Blues (2nd movt from Jazz Suite), from ‘Featuring Melody’
(Treble clef brass edition: Brass Wind)
- Maxime-Alphonse 200 New Studies for
Horn, Book 1: no.32 in D flat or no.49 in E minor
(Leduc/U.M.P.)
- John Miller Prairie Song or
March: no.5 or no.6 from ‘Progressive Studies for Trumpet
and other treble clef brass instruments’
(Faber)
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音階與琶音: from memory, to be
played both slurred and tongued in the following keys:
B flat major (a twelfth)
D, E flat,G majors; D, E, F# minors (two octaves)
Scales: in the above keys (minors
in melodic or harmonic form at candidate's choice)
Chromatic Scales: starting on F (a twelfth)
Arpeggios: the common chords of the above keys for the ranges
indicated
Dominant Seventh: in the key of C (two octaves)
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