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報考資格：須通過第五級以上樂理或實用音樂素養
三首考曲: 由下列A,B,C,三組中各選一首(選錯曲可能不計分)
A 組
- Brahms Scherzo and Trio (from Serenade no.1 in D, Op.11).
Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow (Associated
Board)
- Danzi Concerto in E flat
: 2nd movt, Romanze
(Heinrichshofen N 6217/Peters)
- Handel I See a Huntsman
(from ‘Julius Caesar’).
No.5 from Solos for the Horn Player, ed. Jones (Schirmer/Music
Sales)
- Mozart Horn Concerto no.1
in D, K.412/514: 1st or 2nd movt, Allegro or Rondo:
Allegro
(D/F edition: Barenreiter BA 5314a)
- Mozart Horn Concerto no.2
in E flat, K.417: 2nd movt, Andante
(E flat/F edition: Barenreiter BA 5311a)
- Rosetti Horn Concerto in
D minor: 2nd movt, Romanze (with cadenza)
(Simrock 3061/M.D.S.)
- Saint-Saens Morceau de Concert,
Op.94: Allegro moderato to fig.3
(Durand/U.M.P)
B 組
- Bozza En Irlande
(Leduc/U.M.P.)
- Dunhill Allegro vivo and
Slow Minuet: no.2 and no.5 from ‘Cornucopia’, Op.95
(Boosey & Hawkes/M.D.S.)
- Gershwin I Got Rhythm.
A Little Light Music for French Horn, arr. Iveson (Brass Wind)
- Hindemith Horn Sonata (1939):
2nd movt, Ruhig bewegt
(Schott ED 3642/M.D.S.)
- Kodaly Intermezzo from ‘Hary
Janos’.
Absolutely Horn, arr. Bissill (Brass Wind)
- Ridout Concertino for Horn:
1st movt
(Emerson)
- Guy Woolfenden Spanish Dance or
Lotus Waltz, from ‘Horn Dances’
(Brass Wind)
C 組
- Andrew Clark 16 Etudes: Suite
1, Etude 3
(Mitre Music/Emerson)
- Concone Study no.25 (Op.9
no.29).
Concone Studies for Horn in F, arr. Ashworth (Emerson)
- Alison Davies Five Note Piece:
no.3 from ‘Four Studies’
(Broadbent & Dunn)
- Kopprasch 60 Selected Studies
for French Horn, Book 1: no.13
(Carl Fischer CFO 2790/M.D.S.)
- Peter Lawrance Restless, from ‘Featuring
Melody’
(Treble clef brass edition: Brass Wind)
- Maxime-Alphonse 200 New Studies for
Horn, Book 3: no.6 in C or no.16 in B flat
(Leduc/U.M.P.)
- Lowell E. Shaw Just Desserts – Frippery
Style: no.1
(The Hornist’s Nest/Emerson)
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音階與琶音: from memory, to be
played both slurred and tongued in the following keys:
C, D flat ,F#,A flat majors; C #,E
flat, G, A minors (two octaves)
Scales: in the above keys (minors
in both melodic and harmonic forms)
Chromatic Scales: starting on E, F, F# and G (two octaves)
Arpeggios: the common chords of the above keys for the ranges
indicated
Dominant Seventh: in the key of D (two octaves)
Diminished Seventh: starting on G (two octaves).
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