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三首考曲: 由下列A,B,C,三組中各選一首(選錯曲可能不計分)
A 組
- Brightmore Lullaby: no.3 from 'Four Peaceful Pieces'
(F/Eb edition: Emerson)
- Concone Andante sostenuto
Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow
(Associated Board)
- Humperdinck Evening Prayer (from
‘Hansel und Gretel’)
Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow
(Associated Board)
- Mendelssohn Nocturne (from 'A
Midsummer Night's Dream').
No.17 from Horn Solos, Book 1, arr. Campbell (Faber)
- Offenbach Barcarolle (from
‘The Tales of Hoffmann’).
Classic Experience Collection for Horn, arr. Lanning (F/E b edition:
Cramer)
- Tchaikovsky Humoreske, Op.10
no.2.
No.6 from Up and Running, arr. Skirrow (Camden Music CM 015/Spartan
Press)
B 組
- Debussy Romance.
Debussy – The Essential Horn, arr. Machala (Schirmer/Music Sales)
- Ronald Hanmer Suite for Horn: 3rd or 4th movt, Arioso or
Finale
(Emerson)
- Michael Horvit Circus Suite: 1st movt, March
(Southern Music Co./Valentine Music)
- Khachaturian Adagio (from ‘Spartacus’).
Classic Experience Collection for Horn, arr. Lanning (F/E b edition:
Cramer)
- Satie Gymnopedie no.2.
No.4 from Up and Running, arr. Skirrow (Camden Music CM 015/Spartan
Press)
- Thoma Simaku Wedding Song, from
‘Six Albanian Folksongs’
(F/E b edition: Emerson)
- Bram Wiggins Bumble’s Boogie (for
Emma): no.10 from ‘Embryo Brass for French Horn’
(Fentone/De Haske)
C 組
- Deborah Calland Wistful Waltz, from
‘Top Brass’
(Stainer & Bell)
- Concone Study no.5 (Op.17
no.3).
Concone Studies for Horn in F, arr. Ashworth (Emerson)
- Horner Primary Studies for
the French Horn: no.90 in D minor
(Elkan-Vogel/U.M.P.)
- Peter Lawrance Romance, from ‘Featuring
Melody’
(Treble clef brass edition: Brass Wind)
- Maxime-Alphonse 200 New Studies
for Horn, Book 1: no.40 in F
(Leduc/U.M.P.)
- John Miller Bothie Ballad or The Upward Slur: no.1 or no.2 from
‘Progressive Studies for Trumpet and other treble clef brass instruments’
(Faber)
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音階與琶音: from memory, to be
played both slurred and tongued in the following keys:
E, F majors; F minor (two octaves)
B flat major; A, B minor (a twelfth)
Arpeggios: the common chords of
the above keys for the ranges indicated.
Scales: in the above keys (minors in melodic or harmonic form at
candidate's choice)
Chromatic Scale: starting on A (a twelfth)
Arpeggios: the common chords of the above keys for the ranges indicated.
Dominant Seventh: in the key of C (one octave)
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